
The Cinema of Agnieszka Holland
Anger and Ethics This book uniquely combines academic film analysis, biographical detail and personal interviews with the filmmaker, conducted over the course of a year, to trace the development of Agnieszka Hollandâs female characters and how they have been reshaped across half a century. The Cinema of Agnieszka Holland: Anger and Ethics uniquely combines academic film analysis, biographical detail, and personal interviews with the filmmaker, conducted over the course of a year, to trace the development of Agnieszka Hollandâs female characters and how they have been reshaped across half a century. Piotrowska considers Hollandâs distinctive and evolving vision of society, history, gender, and family relationships, with particular attention to how the filmmakerâs own background has influenced this vision. The study engages with Freudâs notion of afterwardness, Marianne Hirschâs concept of posthistory, and the authorâs theorisations of female authorship and the figure of the ânasty womanâ in cinema. Through detailed readings of six feature films, it highlights Hollandâs extraordinary contribution to global film and television culture, and her movement from despair to a creative rage through collaborations and adaptations. This original and insightful work will be essential reading for students and scholars of European and world cinema, feminism, gender studies, European history, filmmaking, authorship, and applied psychoanalysis and ethics.
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Anger and Ethics This book uniquely combines academic film analysis, biographical detail and personal interviews with the filmmaker, conducted over the course of a year, to trace the development of Agnieszka Hollandâs female characters and how they have been reshaped across half a century. The Cinema of Agnieszka Holland: Anger and Ethics uniquely combines academic film analysis, biographical detail, and personal interviews with the filmmaker, conducted over the course of a year, to trace the development of Agnieszka Hollandâs female characters and how they have been reshaped across half a century. Piotrowska considers Hollandâs distinctive and evolving vision of society, history, gender, and family relationships, with particular attention to how the filmmakerâs own background has influenced this vision. The study engages with Freudâs notion of afterwardness, Marianne Hirschâs concept of posthistory, and the authorâs theorisations of female authorship and the figure of the ânasty womanâ in cinema. Through detailed readings of six feature films, it highlights Hollandâs extraordinary contribution to global film and television culture, and her movement from despair to a creative rage through collaborations and adaptations. This original and insightful work will be essential reading for students and scholars of European and world cinema, feminism, gender studies, European history, filmmaking, authorship, and applied psychoanalysis and ethics.












